Final rehearsal for Messiah went really well on Tuesday. We had a reverse run-through - starting at the end and working forward - and the majority of pieces sounded really good on the first run through. The only problem we had were some timing issues with 'Let us break their bonds' where we sounded a bit like we were trying to catch a train that had already left. It took us a couple of goes, but we got there in the end and it sounded great. I'm really looking forward to hearing the Reg Vardy Brass Band in full swing - once we all get together I think it'll sound amazing!
There are still some tickets available for the concert (though not many) so if you find yourself at a loose end on Saturday night, come along to Bradford Cathedral and indulge in a bit of culture.
See you there!
Thursday, 29 March 2012
Friday, 23 March 2012
Back Where You Started From
Louise (the Chorale's publicity guru) has sent me the piece on the Chorale that appeared in one of the local magazines a couple of weeks ago, this time with added pictures!
(Photograph of ‘The James Ashworth Singers’ taken in 1976 at Thornton Parish Church )
(Concert at Bradford Boys Grammar School c.1980/81 under Douglas Robinson OBE)
(Christmas Concert with the City of Bradford Brass Band in aid of The Lord Mayor’s Charity: Marie Curie Cancer Care, Bradford Hospice. December 2011 at Victoria Hall Saltaire)
Kathleen
Sharp has been a member of The Bradford
Chorale since its formation. Here she gives a brief, personal history of
‘Our Choir’.
‘The
inaugural meeting of the choir took place of January 6th 1976 in the
church hall of St James, Thornton, Bradford. The lady seated at a table by the
door took my name/voice and handed me several pieces of music. The hall was
quite full, being small, I found a place near the front.
There
were to be no auditions, everyone had been personally invited by James
Ashworth, the young man who was to be Musical Director and Mentor. He explained
his ideas and ambitions for the choir, he hoped we would be able to give a
performance around Eastertime. We would be known as ‘The Ashworth Singers’,
rehearse every Tuesday in the hall, and pay a modest weekly subscription to
defray costs.
We then
sang through the pieces. I had not sung with such a large group of mixed voices
before – it was very exciting! On my way home I determined, that whatever
efforts I had to make, I wanted to sing with this choir.
The
first concert was held on Maundy Thursday in St James. We sang ‘Ave Verum
Corpus’ (Mozart), ‘Ave Maria’ (Bruckner) and ‘Requiem’ (Faure). I was on Cloud
Nine! ‘NEW CHOIR MAKES FIRST CLASS DEBUT’ was the verdict of the local press.
(Photograph of ‘The James Ashworth Singers’ taken in 1976 at Thornton Parish Church )
New
members were auditioned and on at least one occasion the whole choir, which
produced some interesting results. One lady admitted that she couldn’t sing a note;
she came to keep an eye on her husband!
When
James decided he needed to concentrate on his personal singing career, an
advertisement for a new conductor was placed in several local papers. In a
short time several applications were received but the secretary thought that
special attention should be paid to the one which included a reference from Sir Georg Sölti!! Thus Douglas Robinson
(Robbie), retired chorus master of Covent Garden and lately of Huddersfield
Choral came to us. As a result of a poll taken by the choir we became Bradford
Chorale. Douglas ran a tight ship, Sunday afternoon extra rehearsals were
scheduled when necessary. His last concert was a performance of ‘The Messiah’
for which he, the choir, and musicians were afforded a standing ovation.
Since
then we have had a number of conductors of varying ages, each with different
ideas of performance. A few were gems, and we have such a one now. Paul has the
vigour and daring to lead the choir down new and exciting paths. The future is
bright, see our Future programmes leaflet.
I know
of no better antidote to life’s woes than music making. So if you can, come and
join us. If that is not possible, come to a concert and give us a hearing.’
Forthcoming
concerts:
Handel's
‘Messiah’ in an arrangement for brass band and choir with the
championship-winning Reg Vardy Band.
7:30pm,
31st March 2012, Bradford Cathedral.
A
concert of European sacred music culminating in Fauré's beautiful setting of
the ‘Requiem’.
7:30pm,
21st April 2012, St. Paul's Church, Shipley.
Further details from: www.bradfordchorale.org.uk
Sunday, 18 March 2012
Wrong again
At this week's rehearsal we were running music for the April concert, not Messiah. Though thankfully I'd taken all my music to rehearsal or I would have been really stuck.
First though, we had the Chorale's AGM. It was the first AGM that I'd ever been to and I have to admit, I spent a lot of it trying to work out what was happening. By the end, we'd voted on everything that needed to be voted on and agreed everything that needed to be agreed, so I assume it went well.
Musically, progress was also made. Having run Requiem last week we spent this week concentrating on the other pieces for the April concert, including Gott ist mein Hirt and Cantique de Jean Rancine. Gott ist mein Hirt sounds really good notes-wise and the German is getting better, thanks to some teaching from Katharina, a native German speaker. To uneducated ears (mine) we're not mangling it quite as badly as we were, although whether it'll make any sense to those who do speak German remains to be seen. Cantique de Jean Rancine is also getting easier, though I still think it's strange that its taken me so long to get to grips with a language I thought I (vaugely) knew. We also had some linguistic gymnastics with the Latin verses of Miserere, too many consonants to fit in, but it's getting there.
Fingers crossed Messiah is also getting there - I realised that the two rehearsals I missed mean I've only been to half of the rehearsals for the March concert and I'm mildly concerned that come next week, I won't be able to remember any of it!
Tickets for the Messiah concert are going well, if you haven't got any yet, contact any member of the Chorale, or click on the link to the Chorale's website and order online.
First though, we had the Chorale's AGM. It was the first AGM that I'd ever been to and I have to admit, I spent a lot of it trying to work out what was happening. By the end, we'd voted on everything that needed to be voted on and agreed everything that needed to be agreed, so I assume it went well.
Musically, progress was also made. Having run Requiem last week we spent this week concentrating on the other pieces for the April concert, including Gott ist mein Hirt and Cantique de Jean Rancine. Gott ist mein Hirt sounds really good notes-wise and the German is getting better, thanks to some teaching from Katharina, a native German speaker. To uneducated ears (mine) we're not mangling it quite as badly as we were, although whether it'll make any sense to those who do speak German remains to be seen. Cantique de Jean Rancine is also getting easier, though I still think it's strange that its taken me so long to get to grips with a language I thought I (vaugely) knew. We also had some linguistic gymnastics with the Latin verses of Miserere, too many consonants to fit in, but it's getting there.
Fingers crossed Messiah is also getting there - I realised that the two rehearsals I missed mean I've only been to half of the rehearsals for the March concert and I'm mildly concerned that come next week, I won't be able to remember any of it!
Tickets for the Messiah concert are going well, if you haven't got any yet, contact any member of the Chorale, or click on the link to the Chorale's website and order online.
Tuesday, 13 March 2012
Tutti*
I'm back from holiday and unfortunately a bit behind, which is why I'm posting about what happened last week today, just before tonight's rehearsal.
We ran Faure's Requiem for the first time last week, only missing out the soloist parts. The way we tend to rehearse means that we're always dotting around the pieces, and if you haven't sung it before and don't know the piece very well, it can be difficult to imagine how one piece is going to join up to the next one. Thankfully though, from my point of view it went quite well and sounded pretty good.
Hopefully I'll be able to say the same about Messiah tonight. For various reasons, I've missed a couple of Messiah rehearsals and it feels like forever since we had a sing though it. Bit scary considering the concert is only a couple of weeks away.
Speaking of which, if you'd like tickets for the Messiah concert, go to the Chorale website, or contact any member of the Chorale.
*Everyone, or in this case every piece.
We ran Faure's Requiem for the first time last week, only missing out the soloist parts. The way we tend to rehearse means that we're always dotting around the pieces, and if you haven't sung it before and don't know the piece very well, it can be difficult to imagine how one piece is going to join up to the next one. Thankfully though, from my point of view it went quite well and sounded pretty good.
Hopefully I'll be able to say the same about Messiah tonight. For various reasons, I've missed a couple of Messiah rehearsals and it feels like forever since we had a sing though it. Bit scary considering the concert is only a couple of weeks away.
Speaking of which, if you'd like tickets for the Messiah concert, go to the Chorale website, or contact any member of the Chorale.
*Everyone, or in this case every piece.
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